Showing posts with label 1960. Show all posts
Showing posts with label 1960. Show all posts

Tuesday, September 6, 2011

The Grand Victorian Mansion in Disney’s “Pollyanna”


by HOOKEDONHOUSES on AUGUST 2, 2009

pollyanna-movie-poster

Welcome to another Movie Monday, when I feature the sets from our favorite films. When I was in the 2nd grade, we watched the Disney movie “Pollyanna” on a giant screen in the gymnasium at school, and I will never forget it. I loved the house so much that for years I fantasized about growing up to live in one just like it someday.

I also liked the positive, feel-good message of the movie, and how Pollyanna changed so many lives in the small town. I hadn’t seen the movie in years until my blogging friend Derek recently sent me a photo of the real house used in it. It led me to watch it again, and the sets did not disappoint. They were just as wonderful as I remembered.

original-house-in-movie-ext

After 11-year old Pollyanna is orphaned, she goes to live with her stern and humorless Aunt Polly (Jane Wyman), who lives in this three-story mansion.

pollyanna-sees-house-1st-timeThe movie was based on the classic 1913 novel by Eleanor H. Porter and takes place in 1910, so the filmmakers faced the challenge of recreating the era. They decided to film in Santa Rosa, California, but couldn’t find a three-story house that would work. The solution? A little Hollywood magic.

Believe it or not, here is the actual house they used in the film:

pollyanna-mcdonald-mansion-santa-rosa-original

It’s known as the McDonald Mansion and was built in the late 1870s by Col. Mark Lindsay McDonald, owner of Santa Rosa’s water company. According to About.com, the Stick-Eastlake style (a type of Victorian architecture) was meant to evoke the plantations along the Mississippi.

7/11 UPDATE: A reader named Robert Ruiz sent me some beautiful photos of the house that he took today. Here’s how it looks now:

It’s a gorgeous home. (Thanks, Robert!)

The filmmakers decided that the 14,000-square foot mansion could pass for Aunt Polly’s house–with a little help. The top two floors were painted on. That’s right. They were simply a matte painting added in post-production to look like this:

pollyanna-house-with-matte-painting

The interior sets were elaborate. Hayley Mills says she had a great time running around and exploring them between scenes, adding that there were several rooms that they never even filmed in.

The screenplay was written by David Swift, who came from an animation background. He painted illustrations of how he envisioned the houses and various sets to look.

The Entry Hall

illustration-foyer

The illustration above shows how Swift wanted the entry hall to look (from the DVD special features). It’s amazing how closely the sets resembled what he imagined:

front-hall-like-illustration

front-hall-1

Over 300 girls auditioned for the role of Pollyanna. Panic was setting in as they couldn’t find the right actress for the part. Then Hayley Mills was spotted in a British film called “Tiger Bay” and brought in at the last moment, just as another actress was about to be signed. It’s hard to imagine the movie with anyone else in that role.

front-hall-2

Pollyanna enters the house for the first time and looks around. She has lived as the daughter of a poor missionary family until now, so this is going to be a whole new kind of life for her.

front-hall-3

front-hall-4

Aunt Polly opens the front doors:

front-hall-front-doors

front-hall-5

The Kitchen:

illustration-kitchen-back-stairs

This is one of the illustrations that writer-director David Swift showed to the set designers (above). You can see how the kitchen appeared in the film (below):

kitchen-2

kitchen-4

kitchen-1

kitchen-5

A note of trivia about writer-director David Swift: he also wrote the screenplays for both “Parent Trap” movies.

The Conservatory:

conservatory-1

conservatory-2

The Dining Room:

dining-room-11

dining-room22

I love this old photo taken of the dining room during the film’s production because it shows the lighting above the ceiling line:

production-photo-dining-rm-set

Aunt Polly’s Bedroom:

illustration-bedroom

You can see the illustration painted of the room (above) and how it appeared in the film (below) with exacting detail:

pollys-bed

A wide shot of Aunt Polly’s bedroom (the bed is to the right):

pollys-bedroom

The Parlor:

parlor-1

parlor-2

Sitting Room:

sitting-room

If you’ve seen it, then you know the movie tends to go on and on. It wasn’t just because people had longer attention spans in 1960, however.

Director David Swift says that even he thought it ran too long and wanted to edit a lot of the scenes to pare them down. But Walt Disney loved every minute of it and refused to let Swift cut a thing.

The Side Yard:

yard-1

Hayley Mills (in the DVD special features) says that she learned life lessons from “Pollyanna” that have stayed with her today about being positive in the face of adversity.

hayley-mills-today

Thanks to Derek of Derek M Design for sending me the house photo that inspired this post!

Visit my TV/Movie Houses page for links to all the others I’ve featured, fromThe Parent Trap to Gone With the Wind.

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Doris Day’s Fixer-Upper in “Please Don’t Eat the Daisies”


by HOOKEDONHOUSES on MAY 9, 2010

Please Don't Eat the Daisies 1960-movie posterAny Doris Day fans out there? I’ve always loved her movies, and one of my favorites is the 1960 family comedy Please Don’t Eat the Daisies. A big reason I enjoy it so much is the sets.

First they have a great apartment in New York City, but their family of six outgrows it and they buy an old, broken-down, haunted-looking house in the suburbs. I think it’s fun watching them fix it up. With a little Movie Magic, it only takes about 3 weeks!

Please Don't Eat Daisies Apartment 1

Watching the kids running wild in the apartment made me think of 9 by Design, the addictive new reality show on Bravo. Have you seen it? For a few months, the family of 9 was staying in a 2-bedroom apartment in NYC and the noise was driving their neighbors nuts.

In the movie, the older boys put their baby brother Adam on the windowsill and give him bags filled with water to drop on peoples’ heads as they walk by.

apartment 7

Jack Weston plays Joe, a cabbie who wants to be a playwright. He comes to the door, hoping to give Larry his play to read. Kate is in the bedroom, frantically trying to get ready for the evening, but when her sons answer the door, they invite Joe in, saying, “Mom’s not busy. She’s just getting dressed.”

apartment 6

In this shot we can see the front door to the left and the one to the kitchen on the right:

apartment 10

David Niven plays Doris Day’s husband Larry, an up-and-coming drama critic whose rise to fame is going to his head. I like Niven, but there were a lot of times during this movie when I seriously wanted to smack him.

apartment 11

Poor Baby Adam spends most of his time in this cage. I think it was supposed to be funny, but I found it a little disturbing. No wonder the only words he could say were “Cokey-Cola.”

baby cage

Kate and Larry’s Apartment Bedroom:

apartment 2

apartment 3

apartment 5

The Apartment Kitchen:

apartment 8

I like this kitchen with the hutches displaying Kate’s dishes and the cheery red and white skirt on the sink.

apartment 4

Deborah Vaughn’s Apartment:

Deborah Vaughn's apt 2

Richard Haydn plays Larry’s friend Alfred. Here he’s visiting the glam apartment of the lead actress in his play, Deborah Vaughn (Janis Paige). This has to be one of the biggest, pinkest bathrooms I’ve ever seen:

Deborah Vaughn's apt 3

Moving to the Country:

Please Don't Eat Daisies-Mackays

The book was based on the true adventures of the Walter and Jean Kerr family.John Kerr, one of their sons, says that his parents had actually planned to look at a house that was for sale across the street. When they couldn’t get in to see it, they bought this one instead.

Everyone thought they were crazy, he says, but they didn’t care. They bought it anyway. And they lived there for the rest of their lives.

The camera slowly pans up so we can see the house they’re looking at:

Please Don't Eat the Daisies house before

I’m guessing it was just a matte painting. If anyone knows differently, fill us in!

Please Don't Eat Daisies house before 2

The Entry Hall:

entry before

Walking through the house on moving day and surveying the amount of work that has to be done:

hall before

The Living Room as they find it on moving day, complete with suits of armor and spare tires:

living room before

Larry’s Study:

Larry's study before

During the renovation, you can see they’re halfway through painting the woodwork:

during renovation

Larry’s Study–Complete With Clown Painting:

Larry's study after

In this shot of his study you can see the fireplace:

Larry's study after 2

The Living Room After:

living room TV

All the woodwork has been painted white, the furniture recovered, red drapes hung on the windows, and a big TV unit added to the corner:

living room after

Bedrooms:

Kate's bedroom

A little trivia about the music:

The musical number Kate rehearses for the amateur show (“Any Way The Wind Blows”) had been written for the previous year’s Doris Day movie, Pillow Talk (1959). The song title was, for a while, even the working title of that film. (IMDb)

kids' bedroom

The Kitchen:

kitchen after 2

kitchen after 3

The Movie Was Based on a Bestselling Book by Jean Kerr

Playwright and humorist Jean Kerr was married to Walter Kerr, a well-known New York drama critic. Together they had six children—Christopher, twins Colin and John, Gilbert, Gregory, and Kitty.

Jean Kerr

Her story about city-dwellers with a big family moving to the suburbs and fixing up an old house was not only adapted for the big screen with Doris Day in 1960, but became a TV show in 1965.

I’m reading the book now and it’s hilarious. It’s out of print, but you can find old copies for sale in places like Amazon.com.

Please Don't Eat the Daisies-Jean Kerr

Jean Kerr’s Fixer-Upper in Larchmont, New York:

Jean Kerr's Please Don't Eat Daisies House

In 2003, Jean Kerr’s house was on the market and the Larchmont Gazette ran a story about the real house that the story was based on, announcing, “House For Sale: Seven bedroom Spanish-Tudor, six stone angels, three gargoyles, four copper wolf heads, five portholes, three lions, and 27 carillon bells.”

The asking price was $4.9 million.

The house was originally a carriage house for the mansion next door. In this photo of the living room, you can see that the style was similar to the sets in the movie. Not all of the woodwork was painted white in real life, however:

Kerr house-living room

According to the article, “When the Kerrs moved in, they toned down some of the more flamboyant interior features and added spaces to accommodate a family of six active children.”

You can see the Gazette’s slideshow and read more about its history here. Life magazine photographed the house in 1958 with the boys having a snowball fight in front of it, and you can see it here.

Do you have a favorite Doris Day movie? One of mine has to be Pillow Talk (I featured it here).

I’m linking this “Movie Makeover” to Thrifty Decor Chick’s Before & After party.Head over there to see more!

Visit my TV/Movie Houses page to see the others I’ve featured, from Mr. Mom to North by Northwest.

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